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    Winner of the Geneva Museum of Art and History Museum (MAH) | City of Geneva

    Selected unanimously By a jury made up of experts, representatives of institutions and civil society, “Umwelt” articulates the issues of 21st century museums, the objectives of sustainable town planning and respect for architectural heritage.

    A project respectful of the existing

    With “Umwelt” the winners offer a Subtle dialogue with the existing: neither Tabula rasa nor passive catering, the heritage character is preserved while ensuring the adaptation of the museum to contemporary issues.

    The museum is envisaged as a place that we frequent spontaneouslyconnected to the city, the landscape and the flows. The historical structure is not contradicted, it is reinterpreted and prolonged. The interventions, apparently measured, nevertheless produce a maximum effect on visitors.

    A museum in connection with the city and concerned with climatic issues

    The situation of Museum in the heart of the city is reaffirmed. Turned outwards, the MAH is interconnected with an urban fabric thanks to new porosities: front openings, accessible passages and gardens. The project offers new public space connections, notably connecting the museum to the Rive district by the Observatory walk, via the two courses transformed into living gardens. The walking of the observatory is reinforced and the vegetation space of the mound brought to the foot of the museum.

    The project adopts a vegetable strategy Ambitious and neat aimed at tripling the canopy level, with a green surface equivalent to that of the Bastions Parc. The strong Soil designing is also one of the commitments of the landscaped project.

    Diversity of exhibition spaces and routes

    THE existing buildings are transformed And adapted for the sake of heritage preservation.

    Exhibitions will be presented in all buildings, with the creation of new spaces: new rooms under the roof and in the floors of the two old schools of Casemates and Fine Arts, a public center of single-storey open on the Burlamachi passage and the transformation of casemates into an exhibition route.

    There museum circulation is thought of as a continuous walk, crossing all the buildings thanks in particular to the creation of two bridges connecting them. Wrapping is punctuated by Breathing moments: Reading rooms, Third Parties, garden offering breaks to visitors, consistent with the new uses of contemporary cultural practices.

    There roof becomes accessible To the public, while the two courses turn into spaces for dialogue between art and nature. The foyer, the restaurant and the conference room are independent, with independent access and opening hours of the museum.

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